In the contemporary Egyptian theater

The theater is called "Abu Al -Fanoun" due to its artistic and creative diversity, as it reflects life in its various manifestations and diversity. The theater is a mirror that reflects the human and social truth in various times, and therefore the theater cannot be considered merely a means of entertainment, but rather represents a way to develop and develop the individual and increase his awareness of himself and the world around him. "Mohamed Mandour" reviews in this book the translation and Arabization of global plays created by the world theater since the end of the nineteenth century, with a focus on the most prominent pioneers of this movement. It is presented in detail the development of the contemporary Egyptian theater and the most important means of its development, with a great focus on criticizing and analyzing many contemporary Egyptian plays.